Geordie Riddell (
keepsmehonest) wrote2012-09-05 01:36 pm
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1st Tune
So, I've got to say, I feel a little silly doing this. Talking to a notebook isn't exactly commonplace where I come from. I've been told I can write into it too, but that almost makes it feel a little too personal. Like I'm writing in a journal instead of... broadcasting on the radio or making a phone call to group of people. I'm not exactly much of a writer, either. That'd be my brother, Christy.
[He laughs a little awkwardly before pausing. Yeah, he feels more than a little ridiculous talking to a book. It's part of the reason he's waited so long before addressing Luceti. Aside from taking the time to settle into the extra room in Jilly's studio. And searching the store for his fiddle.]
I'm Geordie Riddell. From Newford. New York. That's in North America. On Earth. [Then, muttered under his breath:] ...I can't believe I'm saying this. [He clears his throat and continues in a louder voice.] Uh, 1979.
I just arrived here a few days ago, but apparently my best friend has been here a lot longer. Some of you may know her. Jilly Coppercorn? Terminally cheerful artist that almost always has some paint stains on her person?
She's the one who suggested I use this... whatever it is... to try and locate my fiddle. It's an old Czech fiddle, manufactured around the turn of the century. Worn but well taken care of, recently restrung, and the initials G.R. are on the left part of the lower bout. The last time I saw it, it was in its case - scruffy, black with a picture of a blonde Victorian woman in her mid-twenties and a list of Irish drinking tunes inside.
They're very important to me - fiddle and case both - so if you've seen anything fitting the description, let me know?
Thanks.
[He laughs a little awkwardly before pausing. Yeah, he feels more than a little ridiculous talking to a book. It's part of the reason he's waited so long before addressing Luceti. Aside from taking the time to settle into the extra room in Jilly's studio. And searching the store for his fiddle.]
I'm Geordie Riddell. From Newford. New York. That's in North America. On Earth. [Then, muttered under his breath:] ...I can't believe I'm saying this. [He clears his throat and continues in a louder voice.] Uh, 1979.
I just arrived here a few days ago, but apparently my best friend has been here a lot longer. Some of you may know her. Jilly Coppercorn? Terminally cheerful artist that almost always has some paint stains on her person?
She's the one who suggested I use this... whatever it is... to try and locate my fiddle. It's an old Czech fiddle, manufactured around the turn of the century. Worn but well taken care of, recently restrung, and the initials G.R. are on the left part of the lower bout. The last time I saw it, it was in its case - scruffy, black with a picture of a blonde Victorian woman in her mid-twenties and a list of Irish drinking tunes inside.
They're very important to me - fiddle and case both - so if you've seen anything fitting the description, let me know?
Thanks.
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That's not it, Jilly.
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[He says her name a little sharper this time. It's not meant to be mean, just an attempt to get her to stop changing the subject.]
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If you expect me to help you feel guilty, that's not going to happen. Besides, as much as I missed you, boyo--and I did. Don't get me wrong--I wasn't exactly alone.
There are good people here. And I even made it through a whole year in one piece.
I don't feel sorry for myself, and neither should you.
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Like losing Sam, Jilly being stuck here was beyond his control.]
Still. I'm glad I'm here now.
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Oh Geordie.
Setting her brush down on the palate, she crossed to the stool where he was sitting, cupped his face, and planted a quick kiss on his forehead with a laugh.] Me too. So stop worrying.
[when she released him, she was more than a little amused to see streaks of paint on his face where her hands had been.]
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And then raises an eyebrow in question.] What's so funny?
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...now we match.
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Gee, thanks.
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It's a little too late for that.
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I could fix that?
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But his best isn't good enough. Laughing,]
Stay away, oh frightening monster of paint.
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The laughing is too distracting.]
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Alas, I have been wounded!
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...Wherever he falls, there shall he lie.
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Dead.
Or, at least, pretending to be.]